20 February 2011

QUE SEA UN MOTIVO

ENGLISH VERSION

By: Sylvia Davila MM
Bogotá
Copyright
Febrero 20/2011
http://www.pipolmagazine.com/2011/02/true-motive.html



En 1979 la televisión en Colombia todavía era en blanco y negro. Durante un tiempo mi generación no pudo ver el uniforme rojo del capitán Kirk, el dorado pelaje de Lassie o los ojos azules del Dr. Kilder. Ese año, Fernando Gómez Agudelo, un visionario amante de la música, inició el proceso de traer la televisión a color para el país y para su productora. Para comprar las reproductoras que leían color, envío a los Estados Unidos a quienes conformaban entonces su equipo de producción: Patricio, Julio y yo. Teníamos veintisiete, veinte y veintitrés años. Corría 1979. Patricio ya era la mano derecha de Fernando, yo era una recién egresada en su primer empleo y Julio acababa de llegar de estudiar televisión en el exterior.
Julio era la visión humana de una colombina chuta. Una vara alta y delgada que terminaba en un copioso afro, vestido con camisas hawaianas tres tallas grande. A sus veinte años Julio exhibía una rara mezcla de madurez precoz en perfecta convivencia con una adolescencia que se negaba a abandonarlo. Mezcla que se reflejaba especialmente en los viajes. Recepción hotel. La eficiente recepcionista, formulario y esfero en mano, pegunta: Apellido? A lo que Julio responde Bond.  Ella pide: Puede deletrearlo? Un muy bien articulado b-o-n-d llegaba. Ella llena la casilla y continua. Nombre? Y un serio Julio contesta James. En ese punto debíamos escoger uno de tres escenarios: risas antes de volver a iniciar el registro; sonrisa aburrida anunciando que el ánimo no está para chistes; o gélida mirada  mostrándonos la puerta. Lety, su siempre compañera, lo llamaba al orden y le hacía prometer que no volvería a hacerlo, cosa que él prometía. Siguiente hotel. Apellido... Bond, b-o-n-d. Y otra vez a buscar en donde quedarnos.
Cuando Fernando nos envío a comprar las reproductoras que traerían la televisión a color a la empresa, el funcionario de inmigración en Miami vio que estábamos en grupo y nos hizo pasar juntos. Nos acomodamos ordenados frente a un poco intimidados por la seriedad del funcionario. El hombre revisó los pasaportes y preguntó a la vez que nos miraba: Cual es el motivo de su viaje? Antes que alguno alcanzara a abrir la boca, pestañar o respirar, Julio uno noventa, en su camisa hawaiana gigante, el afro desordenado y una sonrisa radiante dijo: To bring the color”.
La mirada del funcionario que ya dejaba ver los barrotes de Alcatraz se le clavó al sonriente Julio que sostenía ambas, la mirada y la respuesta; Lety lo regañó: Julio! Deja de hacer esas cosas que nos van a tener aquí tres horas!, yo solté una carcajada y Patricio contestó la pregunta. Hace días que no lo veo pero sé que Julio aprendió ingles. Aunque la verdad sea dicha… la respuesta era correcta y estaba en inglés.
Febrero 20/2011 - SILVIA DAVILA MORALES ®


TRUE MOTIVE




By: Sylvia Davila MM
Bogotá
Copyright
February 20/ 2011


Back in 1979 television in Colombia was still black and white. My generation for quite a time was not able to see captain Kirk’s red uniform, Lassie’s golden hair, or Dr. Kilder’s blue eyes. That year Fernando Gomez, a visionary entrepreneur and music-lover lawyer, made possible colour television here. To buy the equipment he sent his production team to the States, Patricio, Julio, and me. We were twenty-six, twenty and twenty-three years old. It was year 1979. 

The multiple and varied skills of Patricio was already Fernando’s right hand. I was a newly graduated in her first job, and Julio had just returned after studying Television Arts abroad.
Julio was an image of a curly lollipop. A thin, long stick that ended in a copious afro-hair, dressed with Hawaiian shirts three times his size. At twenty, he exhibited a rare mixture of premature maturity with an adolescence that refused to leave him. It showed, especially, during trips. Front desk. A stern efficient attendant, pen in hand, would ask: Surname? Julio would answer: Bond.  She would ask: Can you spell it? A slow articulated b-o-n-d would come. She would continue: Name? And a very serious Julio would answer James. At that point we had to choose one of three scenarios: laughing before starting all over the hotel registration; a smile announcing the mood was not for jokes; or a cold look showing us the door. Lety, his lifetime partner, would call him to order and make him promise not do it again. He agreed. Next hotel: Surname?  Bond, b-o-n-d and there we go again searching for a place to stay.

When Fernando sent us to buy the equipment that would actually read colour, the immigration official in Miami saw that we were together and asked us to approach. We lined up before the counter intimidated by a very stern official. The man checked passports and looked at us while asking: What is the motive of your trip? Before any of us had time to open our mouth, blink, or even breath Julio seven feet high, lost in his gigantic Hawaiian shirt, the afro-hair shining, and a radiant smile, answered: To bring the colour.

The officer’s face already showing Alcatraz bars drilled Julio’s eyes that sustained both the look and the answer. Lety, his lifelong mate, told him off:  Julio! Stop doing this kind of things! We’ll be kept here for hours!” I burst into laughing, and Patricio answered the question. I have not seen him for quite a while but I know Julio learned English. Although the truth be told… the answer was correct and it was English.
February 20/ 2011 - SYLVIA DAVILA MORALES ®





17 February 2011

THE HUGGING BANQUITO



By: Sylvia Davila MM
Bogotá
Copyright
Febrero 17 /2011
Foto: SDMM


ENGLISH VERSION

Algo más maravilloso que abrazar a los niños? Difícil. Era mi deporte favorito mientras mis hijos crecieron. Pero ese fue el problema: crecieron. Mis dignos 1.62 mts que durante algunos años me permitieron alzar a uno en cada brazo, decrecieron en directa proporción a cada cumpleaños de ellos. De bebés los alzaba en mis brazos, a los tres años me doblaba para levantarlos, a los siete apenas me inclinaba, a los once nos mirábamos cara a cara antes de abrazarnos, a los quince… tuve que empezar a torcer la nuca hacia el cielo, y a los diecisiete me encontré perdida entre sus barrigas cada vez que los apretaba en mis brazos.  
En realidad, la decisión que tomé no tuvo nada que ver con mi ego reducido en centímetros, o con la acechanza a mi autoridad aplicada de abajo para arriba, o con la posibilidad de aprender a vivir con torticolis. Simplemente, quería que el abrazo fuera realmente apambichao.  Razón por la cual salí en busca de un banquito que compensara los centímetros de diferencia. Y lo encontré: pequeño en madera natural. Mi hija lo pintó y escribió en sus patas delanteras el nombre que le di: El Hugging Banquito. Lo tenemos hace más de diez años y su superficie gastada es prueba fehaciente de los abrazos dados. Mi Hugging Banquito llevará siempre puesto el amor a y de mis hijos. Gran tesoro. SYLVIA DAVILA MORALES  ©

15 February 2011

PENCIL


By: Sylvia Davila MM
Bogotá/Copyright
Foto: SDMM
February 15/ 2011


A pencil resting within my reach
is all reality life allowed to be
When its hard softness my fingers grip
my heart rejoices   words are born swift










PROTECCION TO PEDERAST



By: Sylvia Davila MM
Bogotá/Copyright
Illustration: Google Images
February 15/2010




PEDERASTS?


All religions have among many, one image that identify them. The sitting Buda, seven arms candlelight of Judaism, the dancing goddess of Hinduism, pilgrims walking to La Mecca in Islam. Christianism has a vast collection of them. One of the most remembered is that of Jesus on top of a hill saying: let children come to me. For that reason, pederasts priests are an ecclesiastic auto goal. A profession society trusts certain that it represents human virtues transformed in a source for children hurt? It is true, not all of them fall in that practice. As it happens in every institution, there are people that represent what their profession meant to be, and there are pederast priests.
A pederast priest in not any person. He is a person the child trusts. A child secure at home, his parents the only references, he has seen them trust the long robe. A child to whom his Christian parents, probably, have not told him anything about sex. A child, but not any child. A child that trusts him. There may be a worst crime. The protection of the institution he works for. When a government detects a corrupt official he gets fired. A worker that does not comply with the company politics is out. In the Army means destitution. A made caught stealing is out. And pederast priests get hidden?
They are not hidden by anyone. They are hidden by the institution that has seen itself as the defender of love, compassion, kindness, and justice. They do not hide anyone. They hide a man that has traisoned a child that trust him, that has deceived his believer’s parents, that has run over the dogma he professes, that has stepped on the vows he has taken, that has committed a crime, and the unforgivable, that has killed innocence. For children victims of pederasts, for all children, the adult world should use a new phrase: “Let  pederasts come to us”. That way, at least, they would be dealing with someone their own size.

February 15/2011 - SILVIA DAVILA MORALES ®



WORLDWIDE AMNESIA




By: Sylvia Davila MM
Bogotá/Copyright
Illustration: Google Images
February 15/2010



Watching the rescue of the Chilean miners, it’s impossible not to think that if this World functioned as it does during tragedies, it would be a happy World. Floods, earthquakes, fires, hurricanes or trapped miners, and, suddenly, in a magic act, borders get erased, nationalities, differences disappear, and help rains from everywhere. Nature, hazard or human error acts, and this World becomes one with one single human race on stage. Results are always good: everybody gives, knowledge and resources are shared, solutions are found, and lives are saved. Everybody satisfied. Everyone sees it, feels it, and enjoys it. But then, once the tragedy is over, amnesia lands. Everyone turns around and get back into his or her cavern in search of a way to improve their lives or change the World… They have just seen it but again out of a magic act, they forget. It is a very strange phenomenon, very strange./SYLVIA DAVILA MORALES®

FROM OBSCURANTISM TO SANTISM



By: Sylvia Davila MM
Bogotá
August 7th, 2010
What surprised me the most about these eight years that closed today, was not so much the president of Colombia but the Colombian people. Because during the short but complex history of the country, the presidency has seen men of all kind of abilities and personalities, all of them, however, managed to do their job with respect to the Laws. Laws than, in theory, are equal for everyone and that applied to everyone, protect us all, make us free. Those presidents had, also, a public opinion – with or without voice – that respected them too. In these last years, however, the law was broken, overviewed, or ignored in every scenario, not by common citizens but by those who are supposed to defend them.  The law forbids killing, nevertheless, plans were built to kill innocent children (Falsos positivos). The law forbids gaining votes by favors, nevertheless the country saw the “Notarias” fair. The law forbids that a person with a grey curriculum vitae takes public office, nevertheless, a good amount of the elected congressman are now in jail. The law orders to protect peoples’ intimacy, nevertheless, tabbing judges and journalists took place. The law commands the protection of the citizens’ health and life, nevertheless, a manual for a systematic physical and psychological torture was written. The law promises to protect private property, nevertheless, thousands of thousands of miles were violently stolen. The law punishes calumny and lies, nevertheless, the Supreme Court was subject to the one and to the other. And so we could go on reviewing newspapers. As a whole, during these eight years Colombia saw the rising of a new culture that privileges brute force, that ignores reason, that cannot be stopped by laws, a culture where human rights just do not exist. It was the arrival in every scenario of a paramilitary culture.  Trying to defeat the old, violent, criminal guerrilla, they unleashed the same phenomenon in a different dress. Guerrilla and paramilitaries are identical. In terms of society, they both are forces that get what they want by braking, over viewing or ignoring the law. Just as Simon el Bobito (Simon the dummy, a children book character), they pretended to get rid of a pile of sand digging a hole in the sand. Einstein said that the universe is much more complex that what we are able to understand. Here, the president that is leaving was much more basic that what the country could see.
But what turns out to be really amazing is not just that exhibition of broken laws by those who should protect them, but the total indifference of the majority of Colombians, and the massive support they gave to the President that led the government where all these things happened. Lack of solidarity was the trademark of this period. It might have been so because it was not their children who were hired to be assassinated, or their houses and business the ones that were bloody taken. Tortured people was ignored by those that were not able to put themselves in their shoes. In these years, the country became blind, insensible and a heard. During these eight years, the law became a drifting orphan defended with courage only by the Supreme Court. That is way the challenge of the new president is of historical dimensions. He must restore to the presidency not just a global vision, the value of reason and of the heart, respect for free thinking and for life, conviction without fear, determination without repression, wisdom… he must restore to the country something that is irreplaceable for national unity: he must restore dignity to Colombian people. Because if they are to be a herd it is the duty of the shepherd to lead them to good grass.  The new president can do it, he has all the elements in his hands. May God want to help him to leave behind these eight years that will enter the books as the Obscurantism of Colombian history.  May also the sun that showed after rain the afternoon of his taking office be a good omen, and the new president can crown this country with health, justice and peace./SYLVIA DAVILA MORALES ®

OUTRAGED?



By: Sylvia Davila MM
Bogotá
Copyright - 2009


The Press says that a project to limit the newspapers’ first page has just made its course to the Congress. The need to suppress other’s right to speak must come from insecurity about own ability to defend arguments, convince with ideas or persuade with conviction. Why make efforts to shut up others? If an argument is solid why fear it to be discussed? If the truth is being told why fear it to be questioned? If a proposal is good why fear different opinions? Why fear?

To limit the journals’ first page says the journal article. What is to be limited? What is being said? the amount of what is said? the way it is said?  to whom it is said? the person who says it? In any case, the project seems to want to limit the information or the journal position before the information. But then who’s to decide what the “correct” information is? Politicians ascribed to a close world of mutual favors? The decision collectively is to be taken by a just and responsible Press, and individually by conscience.

Freedom of thought and of expression exists in almost every Constitution of the world, including ours. They are fundamental rights.  Respect has always been condition for coexistence, respect for the basic rights that feed existence. To everyone the same right.   Covered by it, and certain of own confidence and convictions, why fear?

If someone in your close circle decided to limit others chance to speak, would you be outraged? Well, that’s the project that made course to the Congress. Outraged? Ok. Otherwise just learn to be silenced./ SYLVIA DAVILA MORALES® 2009


SUPERHEROES



By: Sylvia Davila MM
Bogotá
Copyright - 2010




My childhood was surrounded by beings that were not any beings. They were super heroes. Yes, the generation that grew up with the unbreakable calmness of Mr. Spoke, the intuitive keen Sherlock Holmes, the struggle for justice of Clark, without glasses Superman, the smile of Alice’s cat, and the not shaken martini of Bond, James Bond, must be in shock. You can hardly recognize them.


Holmes never changed his coat, it’s true, but the unique act of force he performed was crashing the head of a match against the box to light the pipe. A keen ability for deduction solved all his cases helped by his dear Watson. Today, a dirty drunken Holmes deals with his cases armed with all kind of weapons and destroys an entire area of London at the dawn of the film. Unrecognizable.

Superman, the man of steel that bears knowledge from other worlds and fights for justice. They took away what makes him super, the powers, to receive a street beating. Unrecognizable.

Bond had licence to kill to save the world from evil. We hopefully waited for Penny Lenny to have a chance with him, Q delighted us with the last technology, and M gave the picture of the challenge. Today, Bond kills a guy in a hotel room before a word is heard in the film. Unrecognizable.

Most surprising, Mr. Spoke and Alicia. Difficult to understand what dark confusion may take someone to put the Vulcan by excellence to punch Captain Kirk. Should Mr. Spoke watch this new version of himself, he would raise an eyebrow before saying: illogical.
The last surprise is sweet Alice her blue dress and her book transformed in a modern Joan of Arc, armature and sword! Unrecognizable.

Yes, I must be old. But I cannot help shedding a tear for my amorous superheroes converted in armed superheroes. A worry captures my mind: What superheroes do our children have?
SYLVIA DAVILA MORALES ®

COLOMBIA PAINT IN COLORS




By: Sylvia Davila MM
Bogotá
Copyright - 2010



I have always thought that Culture found a terrible fate when it was confined to a government line. If we go back to the first day of creation, culture is born from a long process. It begins, I guess, with a group of people sharing a territory. Then, I assume, those people get their primary needs satisfied. It follows, I believe, a basic living  agreement. And, when the community recognizes to every individual his or her right to think the world sees “the Egyptian architect, the Babylonian astronomer, the Hebrew prophet, the Persian ruler, the Greek poet, the roman engineer, the Hindu saint, the Japanese artist and the Chinese sage.”*  Culture does not need permission.

When people use their right to think the natural result is creation. There’s when we thank God for music, poetry, literature, dance, theatre, movies, television, and – to keep ourselves in our context – Barranquilla’s Carnival, Bogotá’s Theatre Festival, the street storytellers, the Vallenato Festival, Batuta Symphonic Orchestra, the variety of vests, Botero’s fat ladies, the currulao, salsa and merengue (typical dances), tamales de pipian y ajiaco (typical dishes), Cali and Pasto Fairs, capachos llaneros (typical musical instruments), the cachaco’s chocolate, the Guajira’s dresses, La Candida Erendida and Rin Rin Renacuajo (personages from books), the shores, two oceans, the jungle, the desert, the plains and Los Andes mountains. Colombia is paint in colours.


This might be the reason why this Presidential elections has showed not just the traditional blue and red, but a new variety of orange, yellow, green and white. This is our culture of many colours. And the fact that every community – ascribed not to a territory but to an idea- uses its right to think with colour, gives hope to everyone. It is the hope of any country wishing to produce architects, astronomers, prophets, rulers, poets, engineers, artists and sages of all kind. The right to think and to communicate freely IS culture expanding with knowledge, ideas and arts. You can ask a candidate many things, but if he assures us that, the country and every individual have a future. /SILVIA DAVILA MORALES®

THE HUGGING BANQUITO



By: Sylvia Davila MM
Bogotá

Hugging a child is a wonder. It used to be my favorite sport when racing my children. But they grew up. My dignify 5.3 feet that for some years allowed me to hold each one in each arm, decreased in a direct proportion to their birthdays. When they were babies I would hold them in my arms. At three years old, I would bend to lift them. At seven, I would just lean a bit. At eleven, we would look straight into each other eyes before hugging. At fifteen…I had to turn my neck slightly upwards. At seventeen, I found myself lost in their bellies when I held them in my arms.

In fact, the decision I made was not led by a hurt ego reduced in centimeters, or by the thread to my authority applied from the floor upwards. I simply wanted the hug to be truly tight. So I got myself to find a stool to compensate the difference. I found it, a small, white, simple wooden stool. My daughter painted it and wrote on its front legs the name I gave it: The hugging Banquito (stool). It has been with us for more than a decade and its worn out surface shows hugs given-received. My Hugging Banquito will always carry the love I gave to and received from my kids. Great treasure. Silvia Davila Morales ©


FROM RUSSIA WITH LOVE



By: Sylvia Davila MM
Bogotá

For him, my brother Alfredo, almost everything became a challenge that he would face to its last consequences. That was the essence of his character. The smallest curiosity grew in his mind an enterprise of unthinkable dimension. 

Any given day, he decided to fix an ancient piano that his wife had inherited from her mother, Mamía. Where the piano had come from had always touched his curiosity. Determined to fix it, he checked all technicians in town, visited them, inquired about the quality of their work and, finally, chose one. 

A patient middle age man carrying a briefcase swiss clockmaker like, showed up and opened the mysteries of the piano. Alfredo followed the operation wanting to know asking everything about the inner life of the instrument. He also found a thick layer of dust and got himself to clean it. He was doing it when he saw it... a metal inscription attached to a lateral panel. He run to his desk, got paper and pencil, came down, got three quarter of himself inside the belly of the piano and copy it.  There were only three lines: a name, a number, and a date. That was all he needed. Now, nobody could stop him. 
The lines were written in a language he did not know. It looked like Russian, though. As he knew nobody from that part of the world he emailed his japanese clients, who enjoyed the flowers he sold to them just as much as  every personal enterprise he engaged on. Time passed and he got his answer. The manufacturer, its numerical reference, and a date, 1890. A thorough search in the web until he found the manufacturer. In fact, it happened to be an ancient piano firm that went back to the Czarism. He emailed them and waited.  
I wonder if he was always lucky enough to find some obsessive like him, or if his dissuasion skills were good because, against all odds, somebody at the Russian steppes had to go back in reverse over Perestroika, stalinism, bolshevik revolution, and czarism to find the archives that revealed that the piano had been sent to a distribution firm in Paris in 1892. 
Again, many hours at his laptop until he found the french firm and, of course, emailed them. Again, somebody took the time to check archives back to the French Revolution and emailed him back informing that the piano had been sent to Seville, Spain, to a distribution firm that made business with the Americas. Alfredo was transformed in a living alleluia. His smile shined all around him. When I asked him if he had already emailed them, he gave me that kind of look who do you think you’re talking to?. Almost six months had gone by since he found the piece of data that the silent piano hid.
This time his research would slow down. He sent not just one but four e-mails but no answer came back. Unable to give up, he would send everyday a mail and wait. He sent so many that somebody enervated went through the Archivo de las Indias and found it. The piano had been sent to Peru in 1900. The piano was already in the continent.
But archives in this part of the world are not as precise, his search bounced against a wall. When he was preparing a journey to Lima to follow the piano steps, his wife who has been silently observing him for months, stopped him.  Her grandfather had been Ambassador to Peru, he must have bought it there. Twenty mails, nine months and tons of patience had done it. He had tracked the piano from the hands of the maker to his living room. 
His research accomplished you could see him, every now and then, sitting in his living room looking at the piano with that sort of Monalisa smile. When somebody asked him where that beautiful piano had come from, he would answer: From Mamia’s. /SILVIA DAVILA MORALES®

ELVIS



By: Sylvia Davila MM
Bogotá


The years I worked in Washington DC, I lived in the very green neighborhood of Maryland. Away from family and friends, I thought I should buy my eight and eleven years old kids a pet. I love them too. A thorough review of the newspapers - Internet was at its dawn - took me to a blue point cat breeder.  Abundant, lank, long, very white hair surrounding big blue eyes. Two months old, he was spectacular. I named him Elvis. And I took him home ignoring that I was just about to begin a quite unexpected adventure.
The first encounter with the destiny we would have to face happened at the vet where a sensible and keen doctor lifts him, checks him up and simply tells me  Well, as it happens, Elvis is a she. The lady that sold him had assured me that it was a male, I had already baptized him and he already answered to his name.  As it seemed unnecessary to explain  to a cat the lack of consistency between sex and name, she kept his name. Precisely at the moment that the children fell in love with him rains came. An unattended open door let him out. He disappeared. We looked for him two entire days. On the third day the door bell rings. 
It is my British neighbor who says:  I believe your cat is in my backyard, but I would suggest you don’t bring the children. In fact, Elvis had been attacked by one, may be many, raccoons and he was not just dead but horribly dead.  I said nothing and talked the children into going back to school while Elvis returned. After taking them to school I prepared myself to rush and find a new Elvis to greet them when they came back home. On my way out, I realized that the dead cat was still in a a bag in the garage and, of course, I could not leave him there. 
At first, I thought I had found a solution with the very efficient animal shelter office but they would collect him only if sick, when dead I had to burry him. My neighbor lent me a shovel.  An encounter with the unknown. I was about to begin digging a four feet deep hole in my back yard, soon enough to have time to go and buy a new cat, with a tool I had never used before. Two hours later, my kidneys and me had done it. Next, I found a new blue point on the phone,  picked him up and there he was sitting calmly, his almond eyes fixed in the children when they arrived.
One year later my kids went to live for a while with their father. Elvis and I stayed. Good company. Calm, independent, affectionate, beautiful, self-sufficient, he understood my work routines and easily adapted. Elvis, the king. I had already explained to him that he would be an indoors cat. Having children at home I would have to see closely to his hygiene, so he would have to limit his wandering to the garden and only when going out with me. Elvis registered the fence and accepted his boundaries. An afternoon near sunset, as I closed the day I noticed he wasn’t around. He did not answer either. Again, my patient neighbor lent me a flashlight that lit the way as I entered the dark back yard. Another encounter with the unknown: There I was, standing at night in the middle of the woods, holding a flashlight, shouting “Elvis, Elvis, where are you?”. I think about it now but at that moment I did not pray that nobody see me. 
Suddenly, from far far away an almost inaudible Meeiauu reached my ear. I used rigorous geometry to the search in every corner of the garden but I could not get close to the sound. He called from very far. In complete silence I managed to isolate the sound until I was certain: it came from above. The flashlight leading the way scanned the tree tops until up there, very up there, it bounced in Elvis terrorized eyes. He was high, really far, in a stern branchless huge trunk that ended in a lush vegetation where Elvis grabbed with all his four legs. He had climbed without thinking in the way down. My first impulse - dissuade him to try - vanished soon. Nobody mentally sane would risk to climb down a perpendicular angle from that height. Not even a cat.
I knew nobody in the neighborhood, so I appealed again to my neighbor kindness and asked him for an idea. He looked at me for a few seconds and said: Mrs Davila, may I ask you a question? Of course said I. Have you ever seen a death cat in a tree? Logic was clear but I just could not go to sleep in the hope that he would find a way to come down. The firemen seemed a good solution - long ladders - but though I reminded them that they do it in every film, in fact, it happens only in films. Firemen do not rescue cats. I tried the police then, they suggested I’d try an animal shelter. Midnight. At the animal shelter an answering machine kept the waiting until morning. I explained to Elvis the situation - given his position, so to the entire neighborhood - and set myself to reading until seven in the morning, time when I went out to measure the situation and give him strength. 
As I stood beneath the most extraordinary scene was before my eyes. The night before birds had gone to sleep like any other night. Morning light revealed to them Gotzilla, my dear Elvis, sitting close to their nests. They were horrified but not as much as Elvis. By organized turns, birds of all sizes would fly over him to hit him. They wanted him out. Getting him down was a must. 
My neighbor had me again at his door asking for a ladder. Yes, he could not believe it but he handled it. I leaned it to the house roof and did exactly what Elvis had done: I climbed without thinking in the way back. When I got the top of the house, I realized I was midway between the sky and the floor. The aerial attack over Elvis continued. He needed help and soon. Unable to take a step I lied down on my back facing the sky, dragged myself to the border until I got hold of the ladder and managed to come down.
The animal shelter finally at the phone, does not rescue cats either but they gave me the phone number and name of an expert in taking cats down from trees... Certain that Elvis’ situation was desperate, situation that would be superseded only by the same situation but in a midday burning august, I set myself to find him. I dialed and... an answering machine! 

 First message - 8:00 am : Hello, my name is Sylvia. My cat climbed a tree from where he cannot climb down. The animal shelter thinks that you can give me a hand. I would very much appreciate you calling me back. Second message - 9:00 am: Hello, this is Sylvia again, I just would like to stress the point that he has been in a very difficult situation all night, that he is a long hair cat, and that in a few hours summer sun will be at its highest. Thank you for calling me soon. Third message - 10:00 am: Listen, if you cannot give me the service I would appreciate you saying soooo, soooo that I can look for another solution.  Call me, pleeeaseFourth message- 11: 00 am. : Where the hell are youuu????.
Finally, before Elvis got fried or succumb to the birds aerial attack, a deep calm voice informed me on the phone that he was on his way. With a belt like those used by the telephone company guys, a man certain of his skills climbed the trunk not before warning me sometimes when I get up there they get scared and jump... That climbing took ages. On the contrary, like in cartoons Elvis literally embraced him. It took me more that an afternoon to calm him and cost me two hundred and fifty dollars. As it often happens, sharing misfortunes also tightens bonds. 

Elvis and I were happy again until it came for me the time to leave. I prepared myself to take him with me in the long journey but while arranging his trip I found that he would be kept  four hours in platform , summer again, in Miami! I could not do that to Elvis. A new family was needed. I found one, set an appointment, explained to Elvis the situation and went to leave him in his new home, this time praying that I would be able to leave him in a situation that did not brake me. A middle age, kind, easy going couple opened the door. Elvis and I held tight to each other breathless... until I saw the child. Elvis was looking at him too. The sweet face, untidy hair, clear transparent eyes of an eight years old boy greeted him. Without asking he took him from my arms, Elvis let him do it. I knew they had liked each other. Just in case, I asked the boy to keep him far from raccoons. SILVIA DAVILA MORALES ®